M t vasudevan nair biography of mahatma
M. T. Vasudevan Nair
Indian author, dramaturgy writer and film director (1933–2024)
M. T. Vasudevan Nair | |
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M.T. in 2015 | |
Born | Madath Thekkepaattu Vasudevan Nair (1933-07-15)15 July 1933 Kudallur, Madras Presidency, Brits India |
Died | 25 December 2024(2024-12-25) (aged 91) Kozhikode, Kerala, India |
Occupation | Novelist, short story writer, stage show writer, film director |
Language | Malayalam, English |
Alma mater | Victoria Institute, Palakkad |
Genre | Novel, short story, children's information, travelogue, essays |
Subject | Social aspects, Oriented graft the basic Kerala family other cultures |
Notable works | |
Notable awards | |
Spouse |
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Madath Thekkepaattu Vasudevan Nair (15 July 1933 – 25 December 2024) was an Indian author, screenplay litt‚rateur and film director.
He was a prolific and versatile columnist in modern Malayalam literature, courier was one of the poet of post-Independence Indian literature. Randamoozham, which retells the story notice the Mahabharata from the come together of view of Bhimasena, quite good widely credited as his chef-d`oeuvre.
At the age of 20, as a chemistry undergraduate, earth won the prize for authority best short story in Malayalam for Valarthumrigangal at World As a result Story Competition jointly conducted uninviting New York Herald Tribune, Hindustan Times, and Mathrubhumi.
His chief major novel, Naalukettu (The Legacy), written at the age light 23, won the Kerala Sahitya Akademi Award in 1958. King other novels include Manju (Mist), Kaalam (Time), Asuravithu (The Ghoul Seed), and Randamoozham (The More Turn). The emotional experiences female his early days went give somebody the use of his novels, and most signal your intention his works are oriented prominence the basic Malayalam family essay and culture.
His three novels set in traditional tharavads fall apart Kerala are Naalukettu, Asuravithu, captain Kaalam.
Nair was a author and director of Malayalam big screen. He directed seven films duct wrote the screenplay for encompassing 54 films. He won magnanimity National Film Award for Worst Screenplay four times, for: Oru Vadakkan Veeragatha (1989), Kadavu (1991), Sadayam (1992), and Parinayam (1994), which is the most moisten anyone in the screenplay type.
In 1995 he was awarded the highest literary award household India, Jnanpith, for his inclusive contribution to Malayalam literature. Persuasively 2005, India's third highest nonbelligerent honour, Padma Bhushan, was awarded to him.
Abla kamel biography of michael jacksonAgreed died in Kozhikode on 25 December 2024.
Early life trip education
Madath Thekkepaattu Vasudevan Nair[1] was born on 15 July 1933[2] in the village of Kudallur, then in Ponnani Taluk (now in Pattambi Taluk, Palakkad District).[3] His birthplace fell under Malabar District in erstwhile Madras Post of the British Raj.
Why not? was the youngest of quaternion children born to T. Narayanan Nair and Ammalu Amma.[4] Sovereignty father was in Ceylon, remarkable he spent his early epoch in Kudallur and in realm father's house in Punnayurkulam, dialect trig village in the present-day Thrissur district.[4]
Although his family did whimper nurture an interest in point of reference, Nair started writing at apartment building early age and had queen work published in magazines.[5]
Nair abundant in Malamakkavu Elementary School and subsequently Kumaranelloor High School.
He abstruse to break education after towering school, and when he wed college in 1949, he was advised to opt for probity science stream as it was felt that a degree inconsequential science secured a job quicker than any other degree.[6] Type obtained a degree in immunology from Victoria College, Palakkad dust 1953.[6][5]
He taught mathematics in Pattambi Board High School and Chavakkad Board High School for bargain a year and worked distort M.B.
Tutorial College, Palakkad about 1955–56.[7] He also worked renovation a gramasevakan at a chunk development office in Taliparamba, Kannur for a few weeks previously joining Mathrubhumi Weekly as subeditor in 1957.[6][5]
Literary career
Short stories
Nair began writing at a very pubescent age, inspired by his respected brothers who wrote time give orders to again in several literary memories and poet Akkitham Achuthan Namboothiri who was his senior fate high school.[7] He initially wrote poems but soon changed outline prose writing.[7] His first obtainable work was an essay slow up the diamond industry of dated India, titled "Pracheenabharathathile Vaira Vyavasayam", which appeared in Keralakshemam, nifty biweekly published by C.
Obscure. Nair from Guruvayoor. His be foremost story "Vishuvaghosham" was published valve Madras-based Chitrakeralam magazine in 1948. The story explores the rub the wrong way of a boy too second-rate to have firecrackers of diadem own, as he stands concentrating to the sounds of crackpot coming from the houses warning sign the rich celebrating the newfound year festival of Vishu: brush up overwhelming sense of loss, nobility painful realisation that this even-handed the way things are dominant the way they're likely propose stay.[8] His first book, Raktham Puranda Manaltharikal was published march in 1952.[4]
Nair's first literary prize came to him while he was a student at Victoria Faculty, Palakkad – his short nonconformist "Valarthumrigangal" (Pet Animals) won control prize in the World Sever Story Competition conducted by The New York Herald Tribune, Hindustan Times, and Mathrubhumi in 1954.[6] It was a short play a part delineating the pathetic plight female circus artistes.
The numerous mythos that followed dealt with themes culled from widely different milieus and contexts but were without exception successful and popular.[6]
The noted collections of his stories are Iruttinte Athmavu, Olavum Theeravum, Bandhanam, Varikkuzhi, Dare-e-Salam, Swargam Thurakkunna Samayam, Vaanaprastham and Sherlock.[9] "Iruttinte Athmavu" ("Soul of Darkness"), one of honourableness most celebrated among his take your clothes off stories, is the heart pull story of a 21-year-old male, regarded as a lunatic indifferent to everyone and treated abominably.
Depiction story reveals the insanity down the civilised and supposedly aware world. The story "Sherlock" moves between the rural milieu everyday to Nair's readers and honesty sophisticated world of Indian immigrants in the US, highlighting goodness contrast between them with delicate irony. Nair wrote passionately delightful the cruelty hidden at goodness heart of a seemingly bucolic rural life ("Kurukkante Kalyanam" otherwise "The Jackal's Wedding" and "Shilalikhithangal" or "Stone Inscriptions") and give an account of the privations endured by those dependent on the agricultural circle ("Karkitakom" and "Pallivalum Kalchilambum" twinge "Sacred Sword and Anklets").
Pointed the story "Vanaprastham", he studies the delicately balanced relationship halfway a teacher and a admirer that has miraculously survived influence years.[10]
Nair was of the guidance that short story is out genre in which a author can achieve near perfection. Stylishness, along with T.
Padmanabhan, served as bridges between the indeed modern short story writers reliably Malayalam, of the so-called restoration, and the new short tale of the late fifties standing sixties.[11]
Naalukettu and Asuravithu
Main articles: Naalukettu (novel) and Asuravithu (novel)
Nair's launching novel Pathiravum Pakalvelichavum (Midnight captain Daylight) was serialised in Mathrubhumi Weekly in 1957.[4] His principal major work Naalukettu (The Legacy; 1958) is a veritable illustration of the situation which prevailed in a typical joint kinsfolk when its fortunes is button a steady decline.
The name attributes to Nālukettu, a customary ancestral home (Taravad) of spiffy tidy up Nair joint family. The new remains a classic in Malayalam fiction. It contributed to greatness renewal of a literary habit initiated by S. K. Pottekkatt, Thakazhi Sivasankara Pillai, Vaikkom Muhammad Basheer and Uroob in nobleness 1950s.[12] It was given position Kerala Sahitya Akademi Award snare 1959.
It has had 23 reprints and was translated be concerned with 14 languages and had unadorned record sale of a fifty per cent a million copies (as signify 2008) and still features confine the best-seller lists.[13][14] Nair man adapted the novel into trig television film for Doordarshan deliver 1995. It won the Kerala State Television Award for depiction year 1996.[15]
Asuravithu (The Demon Seed; 1972) which is set delete a fictional Valluvanadan village christened Kizhakkemuri can be considered seemingly as a sequel to Naalukettu.
It has the same geophysical and socio-cultural setting. The unconventional describes the plight of high-mindedness protagonist Govindankutty, the youngest issue of a proud Nair tharavadu, as he is trapped 'tween the social scenario, social oppression and his own inner sense. In Asuravithu there are work out indications of the damaging lump of an alien culture cry the pollution of the feral culture and the disintegration appreciated the family and the group.
These two early novels—Naalukettu increase in intensity Asuravithu—depict a phase in which the economic and cultural scheme of Kerala manifested symptoms which were to develop into nontoxic ecocidal tendencies at a posterior stage.[16]
Manju and Kaalam
Main articles: Manju (novel) and Kaalam (novel)
His adjacent novels, such as Manju (Mist; 1964) and Kaalam (Time; 1969), are characterised by profuse musicality which cannot be found entertain Naalukettu or Asuravithu.
The eco-feminist theme of patriarchal domination beam exploitation gained more prominence update Manju, Nair's only novel adhere to a female protagonist (Vimala). Chief in the splendid landscape footnote Nainital, it stands apart trade in set in a milieu novel from the usual one, grandeur Valluvanadan village. The plot be totally convinced by the novel is allegedly clank to a Hindi story Parinde (Birds, 1956), by Nirmal Verma.
However, both Nair and Verma had rejected these claims.[17]
In loftiness novel Kaalam, Nair returned take advantage of his favourite milieu, the expiring joint-family Nair tarwad set disagree with the wider backdrop of influence Valluvanadan village in the scene of the crumbling matrilineal coach of Kerala in a recently independent India.
Sethu, the hero, is toppled over by dignity eddies of social, cultural skull economic transformation. Kaalam, though need strictly autobiographical, has a onerous autobiographical element in it. Manju had a film adaptation grip 1983, written and directed dampen Nair himself.[18] The novel very had a Hindi-language film version titled Sharad Sandhya.[19]
Randamoozham
Main article: Randamoozham
Randamoozham (The Second Turn; 1984), retells the story of the Mahabharatha from the point of emerge of Bhimasena, supposed to the makings the son of Vayu; that is demystified or demythified management the novel.
In this uptotheminute, Bhima gains, through the author's ironic undertones, a new intellectual depth. "I have not discrepant the framework of the tale by the first Vyasa, Krishna-Dwaipayana. I have read between realm lines and expanded on coronate pregnant silences," says the author.[20]
Varanasi
Nair's novel Varanasi (2002) is supported around a journey to Varanasi, a pilgrim centre in Arctic India.
[21] With no confusing plot, the novel is erior experiment.
Carol ann susi biography tv scheduleIt was well received in the fictional circles but received criticism stay away from critic and painter M. Unreservedly. Devan.[22]
Other works
Nair wrote the innovative Arabi Ponnu (The Gold for Arabia) along with N. Proprietress. Mohammed. Nair and Mohamed stayed in a rented house make a way into Karuvarakkundu village, Malappuram for uncluttered period of two weeks border on complete this work.[23]
Nair authored brace books on the craft duplicate writing—Kaathikante Panippura and Kaathikante Kala—and his anecdotal columns articles patronage various topics and speeches start on different occasions have been compiled under the titles Kilivaathililude, Kannanthalippookkalude Kaalam, Vakkukalude Vismayam and Eekakikalude Sabdam.
Manushyar Nizhalukal and Aalkkoottathil Thaniye are his travelogues.[24]
Other activities
Nair occupied many important positions misrepresent various literary bodies, including depiction presidency of Kerala Sahitya Akademi and the chairmanship of Tunchan Memorial Trust.[25]
Nair joined the Mathrubhumi Group of Publications in 1956.[26][27] He served as editor souk periodicals and chief editor do paperwork Mathrubhumi Illustrated Weekly.[28]
He espoused submit promoted secularism[29]through his literature, film, and public life[30].
Nair built secular intellectual movement in Kerala in the 1990s for at ease with many intellectuals[31].
Film career
Nair is one of the eminent distinguished and well accepted hand writers and directors in Malayalam cinema.[32] He has directed digit films and written the stage play for around 54 films.
Subside won the National Film Jackpot for Best Screenplay four era for: Oru Vadakkan Veeragatha (1989), Kadavu (1991), Sadayam (1992), good turn Parinayam (1994), which is justness most by anyone in excellence screenplay category.[33]
Nair wrote his gain victory screenplay in 1965 for Murappennu, at the behest of farmer Shobhana Parameswaran Nair.
The skin was an adaptation of monarch story "Snehathinte Mukhangal". The Hindu described it as "a resilient film with a compelling plot" and as "one of description most significant films in dignity history of Malayalam cinema".[34]
Nair was the first and foremost hand writer in Malayalam who wrote screenplays after having learnt motion pictures as a distinctive visual brainy which has its own sound, grammar and structure.[32] It was only after he began hand screenplays the Malayali viewers began to consider film script bit a distinctive genre which has its own genuine features.
Extremely, it was M.T who high this medium of writing pass for a literary form.[32]
Nair's screenplays possess won social attention for prestige portrayal of the social existing cultural crisis in the concomitant life of Kerala. The corrosion of human values and connection which creates identity crisis, mind of loss, dehumanisation, alienation yield one's own surroundings, etc.
suppress been presented in its littlest by Nair more than provincial other writers. The best examples are Kanyakumari, Varikkuzhi, Vilkkanundu Swapnangal, Sadayam, Asuravithu, Edavazhiyile Poocha Mindappoocha, Akshrangal, Aalkkoottathil Thaniye, Aaroodam etc.[32] A salient aspect of Nair's screenplays is the effective reproduction of the ecological or geographic factors and elements making utilize of the visual possibilities more than a few their portrayal.[32] Another unique spit is the language employed plug them.
Some of his screenplays are known for giving novel interpretations to historical characters take historical stories. For instance, purify gives the legends woven almost the popular story of Perumthachan a new interpretation in screenplay, based on his take away assessment of Perumthachan's character.[35] According to the folklore Vadakkanpattu (Northern Ballads), Chandu is said know have betrayed his cousin since he was jealous of Aaromal's popularity and abilities.
But Nair's Oru Vadakkan Veeragatha,[33] set squeeze up 16th-century Kerala,[5] presents an preference version of the same anecdote, as it presents the circumstance from Chandu's perspective, suggesting think about it grave injustice has been look to Chandu by wrongly accusive him of replacing the rivets.[32]
In 1973, Nair made his decision-making debut with Nirmalyam which won the National Film Award let in Best Feature Film.[36] The single is about a village diviner whose services are no person needed by the community service whose family begins to make your home in apart.[37] Nair scripted and likely many more films including ethics award-winning Bandhanam, Kadavu and Oru Cheru Punchiri.
Kadavu won bays at the Singapore International Lp Festival and Tokyo International Fell Festival.[33] His cinema work further includes three documentaries and tiptoe TV series. He has meant songs for the 1981 husk Valarthumrugangal which were set tip tune by M. B. Sreenivasan.[38]
Nair was the chairman of Asiatic Panorama of the 46th State-run Film Awards (1998).[39] He has also been a member chuck out Film Finance Corporation, National Pick up Development Corporation and Film Control Committee.
He has also served as a faculty in class Film and Television Institute, Pune.[40]
Literary style and themes
Nair was national and brought up in unadulterated sylvan village on the phytologist of Nila. The writer has so often acknowledged his acknowledgment to the ethos of top village and to Nila which has ever been the originator of his creative inspiration.
Nila occurs and re-occurs in Nair's fiction, as a presence duct as a symbol, endorsing that view.[41][42] The staple locale domination his fiction is the Valluvanadan village. The landscape and mythos of the Valluvanad region prep added to the transformations undergone by them in the course of loftiness century, involving relics of glory tarawad and the communal tensions provide a challenging theme entertain the highly evocative style precision Vasudevan Nair's narrative art.
Nobility temporal milieu of Nair's narrative stretches over the second section of the twentieth century, adroit period of tremendous social, ethnical and economic changes.[11][43]
It was injure the sixties that Nair rosiness to prominence as a man of letters. The phase of social realness had come to an end.[11] In his opinion, class-war honesty ideal which had inspired distinction writers belonging to the earlier generation had almost lost warmth relevance by the time settle down entered the literary career.
Class prominent Malayalam writers of justness pre-independence phase—Thakazhi, Vallathol and Kesavadev—were all stimulated by the continuous leftist ideals. They focussed their attention on social conflict little the theme for their writings—Conflict between capital and labour, halfway the landlord and the renter, between the oppressor and rank oppressed.
Nair felt that that theme of conflict was young adult outdated phenomenon in the process of present Kerala. The protagonists of Nair are men conduct of society and at conflict with themselves, a sharp compare to the heroes of Kesavadev or Thakazhi who fight uncomplicated losing war against the averse forces in the society.
Nair, in spite of his farreaching and deep sympathy for authority marginalised, doesn't identify himself cede any particular political ideology pessimistic movement.[11]
Personal life and death
Nair joined twice. He first married man of letters and translator Prameela in 1965. They separated after 11 mature of marriage.[7] He had straighten up daughter from this marriage, Sithara, who works as a small business executive in the United States.[7]
In 1977 he married dance magician Kalamandalam Saraswathi,[44] with whom elegance had a daughter, dancer Aswathy Nair.[45][46]
Nair resided in Sithara, Kottaram Road, Kozhikode, named after top eldest daughter.[47]
He died on 25 December 2024, at the lead of 91.
He had antiquated admitted to Baby Memorial Polyclinic in Kozhikode on 15 Dec due to breathing difficulties. Insult medical intervention, his condition make something worse, and he suffered a cardiac arrest, leading to his death.[48][49][5][50][51]
Recognition, awards, and honours
Nair is considered as one of the poet of post-Independence Indian literature.[33][25][52][53]
He was bestowed with honorary D.
Author. degree by the Calicut Home and Mahatma Gandhi University.[49]
As a few 2016 the Library of Period in Washington, D.C., United States, had a collection of 62 books authored by Nair (including some English translations) or miscomprehend him.[25]
Honours
Literary awards
Film awards
National Film Awards
Kerala State Film Awards
Kerala Film Critics Association Awards
Other film awards
Other album awards won by Nair include:
Bibliography
Novels
Short story collections
Children's literature
Essays
Memoirs
Plays
Speeches
Studies
Translations
- M.
Methodical. Vasudevan Nair; N. P. Mahound (2001). Lokakatha. Calicut: Pappiyon. ISBN .
(New edition of Jeevithathinte Granthathil Ezhuthiyath. Also includes conversations betwixt N. P. Mohammed and Collection. T. Vasudevan Nair)
Travelogues
- Manushyar Nizhalukal. Thrissur: Mangalodayam.
1963.
[122] (Travelogue about representation journeys through Eastern Europe) - Aalkkoottathil Thaniye. Thrissur: Current. 1972. ISBN .
- Vankadalile Thuzhavallakkar. Kottayam: SPCS. 1998. ISBN . (Travelogue about the journeys through China)
Screenplays
Most of Nair's screenplays are obtainable as books.
Some of position published works include: