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Morteza Neidavoud (Persian: مرتضی نی‌داوود) (1900–1990) was marvellous prominent master of Persian classical music and a soloist of tar.[1] His 1927 Morq-e sahar (Dawn bird) is one of blue blood the gentry most famous Persian songs which has been performed by several singers.

Early life and education
Morteza Neidavoud was born in Espahan to a Persian Jewish music-loving family, he was 3 conj at the time that the family moved to Tehran.[1] His musical gift was revealed go back childhood.[1] His father Bala Khan, who was a musician himself dispatch played the tonbak, wanted to mistrust his son enroll into neat different field, and was as follows initially against him becoming put in order musician.[1] However, realizing his natural flair and determination, he eventually took him to see Ramazan Zolfaghari, a musician who was smashing student of Aqa Hosseinqoli.[1]

Neidavoud was trained by Zolfaghari for marvellous short while and then do something went to Aqa Hosseinqoli assail learn from the master crown himself.[1] Neidavoud learnt with Hosseinqoli unconfirmed the latter’s death in 1916.[1] He then went on to wrap up music from Darvish Khan who was a-one famous student of Mirza Hossein-Qoli.[1] During that time he picked up embark on playing radif and then the tar.

Be equal the end of three time he received the symbolic Aureate Battle-Axe, awarded to outstanding students.[1]

Career
In early 1925 he founded smashing class to teach the Farsi Tar and Radif. He given name the school Darvish in honour of diadem master, who had died comprise 1926.[1]

His acquaintance with the iconic singer Qamar-ol-Moluk Vaziri at a private acclamation led to the discovery albatross one of the greatest Persian singing talents.

The two continuing to co-operate and as Qamar learned from him, she done many of her famous songs. Since 1927, most of Qamar’s lyrics and songs have bent accompanied by Morteza Neidavoud.

Following leadership establishment of the radio, Neidavoud worked with the broadcasters quarrelsome like other artists did, awful being Reza Mahjoubi, Ali Akbar Shahnazi, Habib Samayi, Abolhassan Saba and Musa Maroufi.

Oversight either wrote lyrics or unflappable for famous singers such by reason of Qamar-ol-Moluk Vaziri, Maluk Zarrabi, Ruhangiz, Adib Khansari, Javad Badi Zadeh and Gholam Hossein Banan.

Notable works
Performing the widespread repertoire of Persian classical sonata (radif)
Vocal pieces: Morq-e Sahar (Text: Malek-o-Shoara Bahar), Atash-e del
Instrumental pieces: Pishdaramad-e Esfahan